Deerhoof excels at a balance of memorable melody and ear-catching experimentation. Part of the charm of the post-rock ensemble’s sound is the child-like high-pitched falsetto vocals of vocalist/bassist Satomi Matsuzaki. Her lullaby delivery over the angular guitar sounds and electro-beats completes the picture. The amalgamation of cutesy pop and edgy crunchiness has been tried before, but few have or will reach the fine heights of this weird and wonderful ensemble. The arrangements are dramatic and open, like a chamber work, while the Japanese schoolgirl vocals fill in the spaces with islands of sweet sound for a well rounded, varied album.